Children who refuse to live with their families or give up on the streets work at a bar or steal money. When you don't have money, you'd rather starve than give up playing. Several people have to bowl as much as they want, jump out of the window with their lives, and dance with real dancers at a rock cafe.

A mysterious criminal steals a secret state-of-the-art time machine, intent on destroying America as we know it by changing the past. Our only hope is an unexpected team: a scientist, a soldier and a history professor, who must use the machine's prototype to travel back in time to critical events. While they must make every effort not to affect the past themselves, they must also stay one step ahead of this dangerous fugitive. But can this handpicked team uncover the mystery behind it all and end his destruction before it's too late?

Vivir a Destiempo is a Mexican telenovela produced by Fides Velasco and Jacky Castro for Azteca. It stars Edith González and Ramiro Fumazoni as the protagonists alongside Humberto Zurita, Andrea Noli and Wendy de los Cobos as the main villains. The original story and screenplay is written by Eric Vonn. From February 25 to September 20, 2013 Azteca 13 broadcast Vivir a Destiempo, replacing Los Rey.

This is a project of three short films that are interconnected by the theme of 'relationships' and how 'time' acts upon them.

Each week, Fear the Walking Dead's Colman Domingo will send a couple of friends all the mixings for a cocktail of choice, have them make something delicious and invite them to brunch, and he's inviting you too.

Each week, Fear the Walking Dead's Colman Domingo will send a couple of friends all the mixings for a cocktail of choice, have them make something delicious and invite them to brunch, and he's inviting you too.

Charles Whitley travels from 1903 to 2020 where he meets Megan Turner, a tour guide at his historic mansion, and experiences a 21st Century Christmas.

Ally, inherits Timeless Tidings, a shop her grandmother, Joy, opened in the 1940s to sell her handmade letter-press tidings. The shop was a labor of love, service, and sacrifice throughout the decades for Joy. Ally always saw Joy’s sacrifices for the shop as a burden on Joy’s life and happiness. When Ally returns to the shop to prepare it for sale, she meets Bennett, an old soul, who wants to preserve her Grandma Joy’s legacy. As Ally and Bennett navigate the next steps, divine intervention forces them both to take a new, or rather old look at the fate of the shop and themselves.

Picture this: a television screen filled with an image of a mature woman's hand holding the hand of an adolescent girl. Then those hands--and their owners, Barbra Streisand and 15-year-old look-alike and singing sensation Lauren Frost--ascend a flight of stairs that leads (suggestively, at least) to destiny itself. A third of the way up, Barbra releases her surrogate child-self... and watches as the latter climbs the rest of the way, disappearing into her future of possibilities. 　　Wow. Who else but Streisand could still pull off such an audacious moment of sentimental psychodrama, the way that only a true star could? Yet nestled within the autobiographical meringue of the legendary singer's Millennium's-End concert, performed at the MGM Grand Hotel in Las Vegas on December 31, 1999, that scene--and many other such self-referential moments reliving the sundry chapters of Streisand's life and career--is quite moving in its laid-bare honesty. A fuller experience than listening to the double CD of the concert, this video record of a magical night (does anyone remember our collective Y2K anxieties that New Year's Eve?) provides the most bang for the buck when it comes to reliving all those special scenes: surprise guest appearances (Barry Gibb, Bryan Adams, Neil Diamond, and Streisand's son, Jason Gould), duets with Judy Garland and Frank Sinatra (via video footage, of course), an appearance by dance master Savion Glover as Brother Time, a humorous bit with Shirley MacLaine, and several collaborations with Frost. If Timeless: Live from the MGM Grand was indeed, as Streisand claimed, the first step of a short farewell tour that ended in early 2000, it was the perfect way to exit the stage forever. --Tom Keogh

When three overworked and under-appreciated moms are pushed beyond their limits, they ditch their conventional responsibilities for a jolt of long overdue freedom, fun, and comedic self-indulgence.